Heritage House

Finding inspiration in the architectural lines of a historic Pacific Heights home, Butler Armsden Architects and interior designer Jay Jeffers meld old and new with a handcrafted touch

By Maile Pingel

In a city famous for its Victorian houses, a brick Beaux Arts home in Pacific Heights comes as something of a surprise. That it is a duplex—purpose-built as such, and not as a single home later divided—makes it an even greater curiosity. Its new owners, two brothers who grew up visiting their grandmother’s house nearby, were eager to revitalize the two apartments and create two distinctive homes of their own.

“The brothers come from a construction family and grew up in architect-designed homes, so they started this renovation with a high level of understanding,” says architect Dave Sturm, who worked with colleague Federico Engel on the project. The home was built in the mid-1920s by architect Arthur Brown Jr. (he would later design the War Memorial Opera House, Coit Tower, and the Bancroft Library, which holds his archive) for Woolworth executive Arthur J. McClure and his wife, Elenora, with the mirroring upper unit for their niece.

The home’s stately façade “has been lucky,” says Sturm. “It’s well-built, and the brick is tied back to keep it safe,” he adds. Short of small repairs and repainting the wood trim and pedimented front door, he left the front untouched. Inside, the interiors gave the brothers and their team, which included builder Clayton Timbrell, the freedom to embrace original details and re-create period-appropriate features, like new herringbone floors, while modernizing the property with an all-glass rear façade (“It opens everything up,” says Sturm). A new roof deck access panel also doubles as a skylight, brightening the top floor. “Everything in this home is precise, crisp, and clean, with a reverence for craftsmanship, but done in a contemporary aesthetic,” Sturm says. “We kept historical references, but we weren’t tied to the past,” he adds, and the subtle shift from traditional front rooms to more minimalist private spaces in the back is almost imperceptible.

“Everything in this home is precise, crisp, and clean, with a reverence for craftsmanship, but done in a contemporary aesthetic.”

“We loved that concept and ran with it,” adds Jeffers, who did the interiors of both flats, reflecting each brother’s taste. In the upper apartment, the row of arched windows across the façade inspired not only the architects’ arched portals and curved ceiling coffers, but also Jeffers’s design for the living room’s new marble fire surround and built-in cabinets. Sophisticated pieces like a blue velvet sofa and a sleek wood coffee table give the room a refined spirit.

The dining room includes details befitting a bachelor pad, such as houndstooth upholstery and a glazed lava-stone console. “I love a ceiling moment, especially in a dining room,” Jeffers adds, pointing to the geometric Osborne & Little wall covering set within the coffers.

Beyond the dining room is the newly airy kitchen, where the designer added open shelving and rounded the island to echo the windows.

At the back of the home is the primary bedroom, which overlooks the garden, its original cedar tree creating a woodland feel. “Because it’s all glass and there’s no trim or molding, we furnished the room with clean-lined pieces,” says Jeffers, noting favorite designs like the bronze pendant lights by Tuell & Reynolds. “I love their work—everything is handcrafted and delicious.”

“Creating something uniquely new that is steeped in historical reference and has a hand-hewn quality is soulful,” Jeffers adds. “The brothers were wise beyond their years in wanting to bring new life to this gem, and together we’ve honored the home’s legacy.”

Two Henry Adams Street, Suite 2M-33
San Francisco, CA 94103

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