Femme Forward

Three female-driven studios producing game-changing wallpapers

By Maile Pingel

Since opening his showroom, CB Collective, last fall, Clayton Bishop has been steadily gathering boutique makers endowed with artful, idiosyncratic visions. “I didn’t want collections that just fit in,” he says. “I really wanted bright, fun, in-your-face color and pattern.” He’s also keen on the support he’s found with his artisan makers. “They’re invested in what they do, and you get a different level of care and compassion—you’re not just an order number,” he adds. Here we meet the women behind three of his lines—She She, Faye Bell, and Venable Moore—to learn more about the vibrancy they bring to the showroom.

She She

Founders Jennifer Jorgensen and Kate Worum of She She

Illustrator Kate Worum and interior designer Jennifer Jorgensen joined creative forces in 2016 to launch their Minneapolis-based studio, She She. The duo is known for nature-inspired wallpapers, fabrics, and accessories, with bestsellers including Queen Emma, a geometric print inspired by the Queen Emma Bridge on the Caribbean island of Curaçao; Spring Chinoiserie, a garden scape of robins hopping through climbing roses (and which Jorgensen used for her daughter’s bedroom); and Freebirds, a magical flock of myriad avian species. 

A delightful detail from the Freebirds print

“We have a thing for birds over here at She She,” admits Jorgensen. “They tend to reappear in our patterns year after year.” The studio also works with clients to create new, custom-designed wallpapers and fabrics.

Queen Emma wallpaper in Lopen

The duo’s latest collection, From the Garden, continues to explore their passion for the great outdoors with three vibrant floral prints: Rose Vine, Packed Floral, and Prairie. Each is available with a matte or a grass cloth substrate. “They’re a way to bring the essence of spring into your home all year,” she adds. This summer, She She launches another playful print, Kitchen by the Creek, inspired by a raft of favorite ingredients—artichokes, oysters, lemons—that Worum hand-painted on her kitchen walls.


Faye Bell

Artist Faye Bell’s eponymous wallpaper studio in Atlanta delivers an exciting range of patterns rooted in history and nature. Bell’s latest addition, part of her Natural Impressions collection (you may remember her Agate wallpaper on the foyer ceiling at the 2024 San Francisco Decorator Showhouse), is Cabochon, named for the shaped and polished gemstones. The pattern melds geometric simplicity with organic softness to 3D-like effect, emphasizing Bell’s knack for creating an almost immersive experience with her papers. “The through line of my work is a balance of methodical patterning applied intuitively,” she explains. “Typically, my work is inspired by natural repetitive patterns, but I find inspiration everywhere,” she says.

Twilight Sound was prompted by early morning rising when her daughter was a newborn. “It was a special, peaceful time, and I have to think the pattern is imbued with that, and that’s why it resonates with designers.” Another primary influence on Bell is color. “It’s the language I feel most fluent in,” she says. She recently released the popular Dreamhouse pattern, one of her 2019 debut designs, in three new colorways: Atlantis, Camo, and Fleur.

What’s ahead for the creative? The renovation of her cottage, built in 1900, may provide a clue. “I’d like to develop some patterns specifically for this home—maybe even fabrics—and hope to explore that over the summer, when I have some creative time blocked out.”


Venable Moore

Meredith Kephart is the talent behind Los Angeles studio Venable Moore. “We’re an artist-led, craft-based company whose foundation rests on originality, quality, and sustainability,” she says. “My artistic process is the first step in production, so each design begins with a hand-dyed, hand-painted, or hand-drawn original work.”

Her patterns, available as wallpapers and fabrics, reflect her belief that surrounding ourselves with beauty can elevate our spirits. “Like our physical diets, our visual diets impact how we feel. We want to help create comforting spaces.” (A soft landing is something Kephart understands, as she’s temporarily running her studio from Santa Fe, New Mexico, while recovering from the Altadena fire.) Having orders to fill—her online shop also sells tableware and linens, pillow covers, and hand-painted stationery—“has been grounding during such a destabilizing time,” she says.

Venable Moore’s clay-coated wallpapers resonate with the broad spectrum of designers who’ve made patterns like Frizzante, “which has the bubbly energy of a sparkling beverage,” and Chintz Moderne, a painterly abstract floral, two bestsellers. “They’re happy and full of movement,” Kephart says. She thrives on exploring different methods, including the Japanese textile-dyeing technique arashi shibori, which sparked her linen Shibori collection. The line recently grew to include Staccato Nero, a confetti-like pattern developed with opaque paint rather than dye. No matter the pattern or material, Venable Moore’s designs offer palpable joy.

All three collections are available through The CB Collective.

Two Henry Adams Street, Suite 2M-33
San Francisco, CA 94103

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