Fall 2024
“AUTUMN IS MY SEASON, DEAR. IT IS, AFTER ALL, THE SEASON OF THE SOUL.”
– VIRGINIA WOOLF
Welcome to the Fall 2024 issue of Henry, in which interiors and art intertwine. Step into a masterful modernist residence by interior designer Nicole Hollis that is a platform for decorative arts. Immerse in the Louvre’s restoration of the lush Renaissance masterwork The Four Seasons. Catch up with Kendall Wilkinson, the iconic San Francisco designer who has just launched a new Los Angeles studio (and her second fabric collection). And discover sculptural new furnishings, fabulous new prints, and much more.
From the atmospheric, hand-blown glass luminaries of Jeremy Maxwell Wintrebert to sumptuous, golden-hued accessories, we offer the Art of Living issue as a lens for the beauty of the season.
Welcome to the Fall 2024 issue of Henry, in which interiors and art intertwine. Step into a masterful modernist residence by interior designer Nicole Hollis that is a platform for decorative arts. Immerse in the Louvre’s restoration of the lush Renaissance masterwork The Four Seasons. Catch up with Kendall Wilkinson, the iconic San Francisco designer who has just launched a new Los Angeles studio (and her second fabric collection). And discover sculptural new furnishings, fabulous new prints, and much more.
From the atmospheric, hand-blown glass luminaries of Jeremy Maxwell Wintrebert to sumptuous, golden-hued accessories, we offer the Art of Living issue as a lens for the beauty of the season.
Summer 2024
“We must be willing to let go of the life we planned so as to have the life that is waiting for us.”
– Joseph Campbell
To navigate and withstand a world in tumult, we are all re-rooting ourselves energetically and physically in home and landscape. In what grounds and centers us. In what re-empowers us to support our local and global community. Its homophone, re-routing, also speaks to a time of taking stock and perhaps changing course.
In our summer issue, we explore expressions of re-rooting. We of course also feature summer product introductions, the latest in chic outdoor furnishings, and more.
May summer bring you time to center.
To navigate and withstand a world in tumult, we are all re-rooting ourselves energetically and physically in home and landscape. In what grounds and centers us. In what re-empowers us to support our local and global community. Its homophone, re-routing, also speaks to a time of taking stock and perhaps changing course.
In our summer issue, we explore expressions of re-rooting. We of course also feature summer product introductions, the latest in chic outdoor furnishings, and more.
May summer bring you time to center.
Spring 2024
“THROUGH PRIMROSE TUFTS, IN THAT GREEN BOWER, THE PERIWINKLE TRAILED ITS WREATHS;
AND ’TIS MY FAITH THAT EVERY FLOWER
ENJOYS THE AIR IT BREATHES.”
– LINES WRITTEN IN EARLY SPRING, WILLIAM WORDSWORTH
Romanticism is in full bloom. In the nineteenth century, the movement evolved as an embrace of the natural world in the face of industrialization, and the decorative arts sought to capture the enchantment of the Green World. Our spring issue, Natural Magic, celebrates the contemporary expression of that aesthetic: we highlight new collections that immerse one in the landscape, from wondrous new wallcoverings and fabrics to seating for terrace and garden. We share the exciting new collection by San Francisco painter Clare Rojas for Schumacher that unfolds in motifs of flora and fauna, and Bagatelle, the exquisite new passementerie collection by Timothy Corrigan, in the freshest colors of the season. May spring bring renewal to heart and home.
Romanticism is in full bloom. In the nineteenth century, the movement evolved as an embrace of the natural world in the face of industrialization, and the decorative arts sought to capture the enchantment of the Green World. Our spring issue, Natural Magic, celebrates the contemporary expression of that aesthetic: we highlight new collections that immerse one in the landscape, from wondrous new wallcoverings and fabrics to seating for terrace and garden. We share the exciting new collection by San Francisco painter Clare Rojas for Schumacher that unfolds in motifs of flora and fauna, and Bagatelle, the exquisite new passementerie collection by Timothy Corrigan, in the freshest colors of the season. May spring bring renewal to heart and home.
Winter 2023/24
“WEAR GRATITUDE LIKE A CLOAK AND IT WILL FEED EVERY CORNER OF YOUR LIFE.”
–RUMI
This is a moment of deep gratitude—for the strength of our community and the privilege of creating beauty. In this issue, we share stories to lift the spirit: Designer and entrepreneur Una Malan’s dream project in Los Angeles; the luminous work of California Light & Space artist Robert Irwin; a guide to Paris Déco Off—the bright light of the season—and, of course, our annual sneak peak of stunning new collections debuting in 2024.
You’ll also find a curation of our favorite stories of 2023 featuring inspiring designers, exhibitions, makers and more from San Francisco and around the globe.
This is a moment of deep gratitude—for the strength of our community and the privilege of creating beauty. In this issue, we share stories to lift the spirit: Designer and entrepreneur Una Malan’s dream project in Los Angeles; the luminous work of California Light & Space artist Robert Irwin; a guide to Paris Déco Off—the bright light of the season—and, of course, our annual sneak peak of stunning new collections debuting in 2024.
You’ll also find a curation of our favorite stories of 2023 featuring inspiring designers, exhibitions, makers and more from San Francisco and around the globe.
Fall 2023
“FROM A QUARTER MILE AWAY, I COULD HEAR THE NOISE OF THE WOOD IN THE WIND; A SOFT MARINE ROAR. IT WAS THE IMMENSE COMPOUND NOISE OF FRICTION – OF LEAF FRETTING ON LEAF, AND BRANCH RUBBING ON BRANCH.”
– ROBERT MACFARLANE, THE WILD PLACES
As we cross the threshold into the magical territory of fall, our annual international style issue explores the atmosphere of spaces around the globe. From lake to temple, Genius Loci, or the spirit of place, is particular to each location. We visit enchanting Lake Como and the 18th-century Villa Passalacqua, transformed by San Francisco studio BAMO. We then travel to Kyoto to discover the origins of Jiun Ho’s new textile collection, an homage to the ancient Japanese city he loves. And, we delve into Kneedler Fauchère’s 75-year legacy of global curation. These travels, alongside new fall collections and cosmopolitan new design books, welcome in this lyrical season.
As we cross the threshold into the magical territory of fall, our annual international style issue explores the atmosphere of spaces around the globe. From lake to temple, Genius Loci, or the spirit of place, is particular to each location. We visit enchanting Lake Como and the 18th-century Villa Passalacqua, transformed by San Francisco studio BAMO. We then travel to Kyoto to discover the origins of Jiun Ho’s new textile collection, an homage to the ancient Japanese city he loves. And, we delve into Kneedler Fauchère’s 75-year legacy of global curation. These travels, alongside new fall collections and cosmopolitan new design books, welcome in this lyrical season.
Summer 2023
“INTERIORS ARE LIKE LARGE INSTRUMENTS, COLLECTING SOUND, AMPLIFYING IT, TRANSMITTING IT ELSEWHERE.”
– PETER ZUMTHOR
Sound is an immaterial but profoundly impactful dimension of home. In the summer issue of Henry, we explore our auditory environment, and the many ways sound helps conjure atmosphere. We explore the intersection of design with cutting-edge acoustics, natural soundscapes, decorative arts, and more, as well as the latest summer collections. We hope you find resonance within.
Sound is an immaterial but profoundly impactful dimension of home. In the summer issue of Henry, we explore our auditory environment, and the many ways sound helps conjure atmosphere. We explore the intersection of design with cutting-edge acoustics, natural soundscapes, decorative arts, and more, as well as the latest summer collections. We hope you find resonance within.
Spring 2023
“THE DETAILS OF A THING CAN BE THE SIGN OF A NEW WORLD WHICH, LIKE ALL WORLDS, CONTAINS THE ATTRIBUTES OF GREATNESS.”
–GASTON BACHELARD
–GASTON BACHELARD
Designers are choreographers of a thousand details, each interior the outcome of a thousand decisions. From selecting slender silk piping to alchemizing just the right surface treatment, designers’ subtle but masterful gestures are sometimes unsung, yet critical to elevating space. In our Spring 2023 issue, we magnify this work, focusing attention on objects, applications, and practices that makes spaces sing. We’re also delighted to share the outcome of our own obsession with detail: our new logo and site. We hope you find beauty between the lines.
Designers are choreographers of a thousand details, each interior the outcome of a thousand decisions. From selecting slender silk piping to alchemizing just the right surface treatment, designers’ subtle but masterful gestures are sometimes unsung, yet critical to elevating space. In our Spring 2023 issue, we magnify this work, focusing attention on objects, applications, and practices that makes spaces sing. We’re also delighted to share the outcome of our own obsession with detail: our new logo and site. We hope you find beauty between the lines.
Winter 2022/23
“Underneath all design lies the solid belief that beauty is a positive force.”
– Barbara Barry
As a new year begins, we want to offer our gratitude for the camaraderie and generosity of the San Francisco design community. We’re delighted to share our first winter issue of Henry, a love letter to the creative and mindful individuals dedicated to beauty, art, comfort, and well-being. In it you’ll discover exquisite gifts, a sneak peek of 2023 collections, a preview of that bright light of the winter design season—Paris Déco Off—and a selection of the year’s most beloved stories and projects featuring San Francisco designers. Let’s take a moment to raise a glass to 2023, and to each other.
At the close of 2022, we wanted to offer our gratitude for the camaraderie and generosity of the San Francisco design community. We’re delighted to share our first winter issue of HENRY, a love letter to the creative and mindful individuals dedicated to beauty, art, comfort, and well-being. In it you’ll discover exquisite gifts, a sneak peek of 2023 collections, a preview of that bright light of the winter design season—Paris Déco Off—and a selection of the year’s most beloved stories and projects featuring San Francisco designers. Let’s take a moment to raise a glass to 2023, and to each other.
With warmth and gratitude, the HENRY team.
Fall 2022
“The eye has to travel.”
– Diana Vreeland
Now is a critical moment to value and honor our international community, and the ways we raise each other up through intentional design. The fall edition of Henry is dedicated to cross-cultural collaboration: creative partnerships formed by the sharing of vision, history, enterprise, and craft. San Francisco and the SFDC have always been fulcrums for global talent and collections; we hope this issue is an atlas for your explorations.
Summer 2022
“If the world has absolutely no sense, who’s stopping us from inventing one?”
-LEWIS CARROLL
In that spirit, designers are bringing a bold, expressive aesthetic to their work—drawing on the history of decorative arts, playfully layering wallpaper and fabrics, and unleashing pattern. In our summer issue, Jay Jeffers reinvents a 19th-century mansion as the Madrona hotel; rising star Noz Nozawa creates elegantly embellished interiors; and the ultimate maximalist, Gaudi, goes on exhibition in Paris.
In that spirit, designers are bringing a bold, expressive aesthetic to their work—drawing on the history of decorative arts, playfully layering wallpaper and fabrics, and unleashing pattern. In our summer issue, jay jeffers reinvents a 19th-century mansion as the madrona hotel; rising star noz nozawa creates elegantly embellished interiors; and the ultimate maximalist, gaudi, goes on exhibition in paris.
Welcome, friends, to the revival of decoration.
Spring 2022
“HERE AT BIG SUR, AT A CERTAIN TIME OF THE YEAR AND A CERTAIN TIME OF THE DAY ONLY, A PALE BLUE-GREEN HUE PERVADES THE DISTANT HILLS. . . IT IS A MYSTICAL PHENOMENON, OR SO I LIKE TO THINK, BORN OF A CERTAIN WAY OF LOOKING AT THE WORLD. ”
-Henry Miller
As a coastal culture, our creativity and daily lives are informed by the sea, by the sense of freedom of living at the edge of the continent—at the threshold of a vastness that invites dreaming and exploration. California designers have always drawn from its depths, imbuing interiors with marine motifs and littoral hues of stone and sand. Our spring issue is a love letter to this expression of bodies of water through interior design and exhibitions, collections and jewels.
As a coastal culture, our creativity and daily lives are informed by the sea, by the sense of freedom of living at the edge of the continent—at the threshold of a vastness that invites dreaming and exploration. California designers have always drawn from its depths, imbuing interiors with marine motifs and littoral hues of stone and sand. Our spring issue is a love letter to this expression of bodies of water through interior design and exhibitions, collections and jewels.
We invite you to dive in.
Fall/Winter 2021
“THE PAST IS NOT DEAD, IT IS LIVING IN US, AND WILL BE ALIVE IN THE FUTURE WHICH WE ARE NOW HELPING TO MAKE. ”
-William Morris
The 19th century aesthetic movement—championed by one William Morris—valued craft, nature, and art for art’s sake. Now, in this time of reflection, design is drawing on its roots in the decorative arts to gather inspiration and strength. In this issue, Henry delves into historical crafts like tapestry weaving, cabinetry, and decorative painting, and shares new collections from designers renewing those traditions with revitalized pattern and vibrant color.
The 19th century aesthetic movement—championed by one william morris—valued craft, nature, and art for art’s sake. Now, in this time of reflection, design is drawing on its roots in the decorative arts to gather inspiration and strength. In this issue, henry delves into historical crafts like tapestry weaving, cabinetry, and decorative painting, and shares new collections from designers renewing those traditions with revitalized pattern and vibrant color.
Welcome, friends, to the new aesthetic movement.
Summer 2021
“YOU CAN EAT FOOD BY YOURSELF. A MEAL, ACCORDING TO MY UNDERSTANDING ANYHOW, IS A COMMUNAL EVENT, BRINGING TOGETHER FAMILY MEMBERS, NEIGHBORS, EVEN STRANGERS. AT ITS MOST ORDINARY, IT INVOLVES HOSPITALITY, GIVING, RECEIVING, AND GRATITUDE.”
-Wendell Berry
As summer arrives and we begin to emerge from sequester, henry celebrates food and design, those mutually-inspiring cultures that generate togetherness and spark the senses. Join us as we explore the delectable design of bay area restaurant and home spaces, beloved kitchen objects and cookbooks, and the latest in dining decoration.
As summer arrives and we begin to emerge from sequester, henry celebrates food and design, those mutually-inspiring cultures that generate togetherness and spark the senses. Join us as we explore the delectable design of bay area restaurant and home spaces, beloved kitchen objects and cookbooks, and the latest in dining decoration.
In the stories that follow, we hope you find food for the soul.
Spring 2021
“Mind. Body. Spirit.”
In Henry’s second digital issue, we embrace the promise of a new year and new beginnings. In the spirit of living fully, we explore design that encompasses intention and wellness; identity and representation; artistry and inspiration. Because home is a place not only of elevated design, but a place where we should feel whole.
Fall/Winter 2020
“Community. Environment. Craft.”
Bay Area design has always been at the forefront of community building, sustainable living, and maker culture. In this, Henry’s first digital “issue,” we focus on that ethos through the lens of the 1970s design revival: new colors of the earth, textural fabrics and wallcoverings, and artisanal collections are front and center as we look to nature and the presence of the human hand for solace and inspiration. Because now, as then, great design has the power to improve lives, and to help repair the world. That’s the spirit of California.
